Poetry Anthology Launch

Join a group of talented, empathetic RI poets as they celebrate the launch of their new poetry anthology: 

HOPE STREET: Nine New England Poets On Love and Loss

Reading and Reception with Open Mic
Sunday, September 21, at 3PM

Symposium Books, East Greenwich

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Meet and Greet Frequency’s Fall Teachers

186 Carpenter

 

 

 

 

 

 

 

 

 

 

 

 

Join us for a chance to meet Frequency’s talented writers: Kate Colby, Kate Schapira, V.H. Wildman, and Darcie Dennigan. These writers will give short readings and talk about their upcoming fall courses. This event runs from 3-5pm September 14th at 186 Carpenter Street. There will be refreshments and a chance to mingle. There is no charge and writers of all levels and interests are welcome!

Summer Reading Recs– post #1

This week’s recs come from RI poet talvi anselTalvikki Ansel, who has published two books of poems: My Shining Archipelago (Yale Series of Younger Poets Award) and Jetty & Other Poems. Her poems are currently or forthcoming in The Cincinnati Review, The Kenyon Review, and in the anthology The Hide-and-Seek Muse: Annotations of Contemporary Poetry (Drunken Boat, 2013). She has received a Stegner Fellowship, Pushcart Prize, a Lannan Residency Fellowship, and a grant from the Money for Women / Barbara Deming Memorial Fund. She is an adjunct instructor at The University of Rhode Island.

And may we just also add what a lovely poet she is. Check out some of her work online at The Poetry Foundation.

Thanks, Talvi!!

woolfThe Diary of Virginia Woolf, Volume III: 1925-1930
This volume of her diary covers the years Woolf was working on To the Lighthouse, Orlando, and The Waves. It’s mesmerizing, and unmediated by a biographer though there are plenty of notes to explore; read it straight through, or dip into it: observations on life (moths, running a press, the labor strike), fellow writers (numerous, including a visit to Hardy), family dynamics, and of course the unfolding novels.

summer bookThe Summer Book, Tove Jansson
First published in 1972, reprinted as a New York Review Books Classics series. A grandmother and child on an island in the Gulf of Finland. We don’t hear much from the widowed father, and the mother is an absence. The grandmother and child are close, cantankerous, and curious. The island is unforgettable: stone ledges, moss, visitors by rowboat, an ancient salt-water soaked bathrobe, and drift-wood creatures in a forest. It’s a novel, the scenes strung together like memory or prose poems.

montaleEugenio Montale’s poems. I happen to have Collected Poems: 1920-1954 (trans. by Jonathan Galassi) and Montale in English (various translators, Harry Thomas, ed.) handy; there are others. The poems make summer and Montale’s coastline seem elemental and timeless. The poems allow for intrusions—the insect bursting into the oval of light above a reader, and regularity—the cicadas’ cries, heat, and geology. Striated and layered, with wisps of history and narrative, I can’t let go of these poems.

… check back early next week for recommendations from Mark Baumer, Mary-Kim Arnold, and other local writers whom the vast Frequency Office Staff admire.

In love with Daniil Kharms

daniil kharms

daniil kharms

Maybe this just continues my tradition of falling for emotionally unavailable totally checked-out men, but in the case of Kharms, who cares.

Daniil Kharms (1905-1942) is a writer of short fiction, a poet, a diarist, a playwright– all of those things but none of them. As his translator, Matvei Yankelevich, says in the intro to Today I Wrote Nothing, “…in many of his best works, Kharms tests the waters of oblivion and then dives into negation, perhaps knowing that nothingness and infinity are one and the same.”

George Saunders wrote in a review of Kharms’ work a few years back (paraphrasing here) that in the process of trying to pound a nail, Kharms vaporizes his own hammer. Unknown

I love how his pieces feel strange but not, never, artificial. I never see the “writerly” or workshop-y move. It’s as if he’s too honest to actually be a writer.

Here’s one of his short pieces.

Blue Notebook #10

There was a redheaded man who had no eyes or ears. He didn’t have hair either, so he was called a redhead arbitrarily.
He couldn’t talk because he had no mouth. He didn’t have a nose either.
He didn’t even have arms or legs. He had no stomach, he had no back, no spine, and he didn’t have any insides at all. There was nothing! So, we don’t even know who we’re talking about.
We’d better not talk about him any more.

WRITING CLASS RI
WRITING WORKSHOPS RI

Friday night. It’s either date night or laundry night, but on the 26th, it could be poetry night.

RI poet Dave O’Connell won the Philbrick Poetry Award!

Come out and support him at his reading on Friday, April 26th at the Providence Athenaeum, 7 p.m. http://www.providenceathenaeum.org/philbrickaward/philbrickaward.html
If you are unable to attend, the chapbook will be on sale on the Athenaeum’s site. Go, Dave!

A publicly complex reading!

Dear friends! Join us for a reading presented by the publicly complex!

poetry reading

Monday, March 4, 6 pm at ADA Books (717 Westminster St)

Reading that night:

Robert Fernandez
Joshua Edwards
Lynn Xu

Robert Fernandez is the author of We Are Pharaoh (2011) and Pink Reef (2013), both published by Canarium Books. He was selected as a New American Poet by the Poetry Society of America, and is the recipient of a Gertrude Stein Award for Innovative Poetry and a grant from the Andrew W. Mellon Foundation.

Joshua Edwards is the director and co-editor of Canarium Books. Campeche is out with Noemi Press, and his poems and translations have appeared in Chicago Review, Colorado Review, CROWD, Slate, and Skanky Possum.

Lynn Xu is the co-editor of Canarium Books. Be on the look out for her fist book Debts & Lessons, from Omnidawn in spring 2013.

See you there!