Frequency’s Last One Day Studio

Found on tittysandpancakes.com

INSTRUCTOR: Josh Edwin
DATE: Sunday May 3, 2015
TIME: 10am-2:00pm
WHERE: 186 Carpenter Street
Tuition: $50
Click here to register

  1. Who should take this class?

Any writer or translator interested in stretching their brain and their practice in new and fascinating ways!

  1. Do students need to speak a second language?

No, they don’t need to have a second language. Having one is, of course, advantageous, but it’s not strictly necessary. There are all kinds of interesting translation experiments that can be done without fluency in a second language.

  1. What if I’ve never done this before?

No problem! Find a text you’d like to work on and let’s give it a shot together!

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Lost in Translation?

What about Found in Translation?

Ton Dubbeldam, Early Spring

Sufficient Compensation: A one day studio translation studio 

For writers of all genres and skills interested in the multiplicity of meaning, honing word choice skills, or exploring new voices and tones.

INSTRUCTOR: Josh Edwin
DATE: Sunday May 3, 2015
TIME: 10am-2:00pm
WHERE: 186 Carpenter Street
Click here to register

Sufficient Compensation: A one day studio translation studio

Who Are Your Favorites?

andrew salgado storytelling - Google Search

Chances are at least a few of you favorite authors is translated.

So the question becomes, do you really love Jorge Louis Borges, or is it Anthony Kerrigan’s voice that moves to you? Haruki Murakami or Jay Rubin? Gabriel Garcia Marquez or Edith Grossmann?

Are you sure?
After all, translation is transformation,
One has to make decisions.

Want answers, or likeminded writers grappling with the same quandaries?

Join us in Sufficient Compensation: A one day, multi genera studio translation studio
-no experience or second language necessary- just a fascination with words.

“Nothing has moved my personal writing further than considering the kinds of decisions made by translators. Do I stay true to the style, the tone, the rhythm, the content, the humor, irony or plot? How can I capture all of these things–all of these parts of myself–and pour them into a single line?”

INSTRUCTOR: Josh Edwin
DATE: Sunday May 3, 2015
TIME: 10am-2:00pm
WHERE: 186 Carpenter Street
Register here 

Check out this Interview with Frequency Instructor Josh Edwin About his Upcoming Class!

Found on leatherbagsandmore.com

FW: How does translation function in your own creative practice?

JE: Translation gives me a chance to focus on technical aspects of writing without having to invent my own ‘material.’ The plot, characters, form, etc are all already there to work with, so I can focus on choosing the perfect word, phrase, or sentence and on creating the right voice, music, and literary effect.

Translation helps me expand my horizons by working on pieces I wouldn’t write myself. It exposes me to ways of writing that I might not find otherwise, or might find but not engage with so deeply. It helps read and write new things in new ways.

Translation helps me see language newly. It opens me up to new resonances and possibilities in English that I am able to see against the background of the other language.

FW: Who should take this class?

JE: Any writer or translator interested in stretching their brain and their practice in new and fascinating ways!

FW: Do students need to speak a second language?

JE: No, they don’t need to have a second language. Having one is, of course, advantageous, but it’s not strictly necessary. There are all kinds of interesting translation experiments that can be done without fluency in a second language.

FW: What if I’ve never done this before?

JE: No problem! Find a text you’d like to work on and let’s give it a shot together!

A Poem-Gift For You!

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Anne Carson’s
Holderlin Town

You are mad to mourn alone.
With the wells gone dry.
Starlight lying at the bottom.
Like a piece of sound.
You are stranded.
Props hurtle past you.
One last thing you may believe.
Before the lights go out is.
That the mourning is at fault.
Then the sin of wishing to die.
Collapses behind you like a lung.
Night.
The night itself.

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